The Kamakura Print Collection, Photogravure Etchings by Peter Miller

鎌倉プリント・コレクションへようこそ ・ フォトグラビュール 銅版画、ミラー・ピーター (Peter Miller)


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Pont Vieux

132. Le Pont Vieux.  19 x 25 cm (8 x 10") gravure print, Cool black & ochre etching inks on Ganpi colléd to Lana Gravure paper (2000); reflection of the past, an image softened but undimmed by time

Her Reverie

74. Her Reverie 夢想 21 x 27 cm (8 x 11") gravure print, Black etching ink on Ganpi tan paper (1996); spirited away, at a tunnel near the Kita-Kamakura rail station, Japan

Running

111. Running 走れ。 20 x 23 cm (8 x 9") gravure print, Orient blue etching ink on Lana Gravure paper (1998); free spirit on the beach at Shichirigahama, Kamakura, Japan, with surfers in the distance

First Blush

142. First Blush. 25 x 19 cm (10 x 8") gravure print, Laque de Garance and black etching inks viscosity-printed* on Fabriano paper (2001); Japan's rite of spring and ultimate pastoral fantasy, the evanescent renewal of cherry blossoms

Looking Up

180. Looking Upl兼六園   19 x 25 cm (8 x 10") gravure print, Cool black etching ink on Fabriano paper (2004); animated cherry tree in full blossom in Kanazawa's Kenroku Park, Japan

Carried Away

184. Carried Away. 17 x 13 cm (7 x 5") gravure print, Cool black etching ink on Rives BFK paper (2004); Yoshino, Shikoku, Japan

 

 

 

Venetian Carnival

178. Venetian Carnival.  13 x 15 cm (5 x 6") gravure print, Cool black etching ink on Magnani paper (2004); masks eerily glowing in the Grand Canal

Welcome Back

158. Welcome Back・ お帰り。 21 x 26 cm (8 x 10") gravure print, warm black etching ink on Ganpi tan paper (2002); ricefields and persimmon trees in Otsu, Japan

Waking the Gods

177. Waking the Gods. 19 x 13 cm (8 x 5") gravure print, Cool black etching ink on Kyokushi paper (2004)

 

* Viscosity printing, invented by Stanley W Hayter at Atelier 17 in Paris, enables printing one intaglio plate with two inks at the same time. In First Blush, black ink is in the recesses of the copperplate, Laque de Garance on the surface.

 

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