248. Morning Glory ・ 朝霧。 15 x 14 cm (6 x 6") photogravure etching, Black etching ink on Fabriano Tiepolo paper (2008); tending a terraced rice-field in Nepal
248. Morning Glory ・ 朝霧。 15 x 14 cm (6 x 6") photogravure etching, Black etching ink on Fabriano Tiepolo paper (2008); tending a terraced rice-field in Nepal
251. Sky Painting. 20 x 16 cm (6 x 8") photogravure etching, Carbon black etching ink on Lana Gravure paper (2009); girl with brush-like branch in Ganesh Himal, Nepal
252. Looking Back. 19 x 15 cm (8 x 6") photogravure etching, Carbon black etching ink on Fabriano Tiepolo paper (2009); backward glance, Deng valley, Ganesh Himal, Nepal
184. Carried Away. 13 x 17 cm (5 x 7") photogravure etching, Cool black etching ink on Rives BFK paper (2004); One of the thousand cherry trees at Yoshino, Shikoku, Japan
142. First Blush. 19 x 25 cm (8 x 10") photogravure etching, Laque de Garance and black etching inks viscosity-printed* on Fabriano paper (2001); Japan's rite of spring and ultimate pastoral fantasy, the evanescent renewal of cherry blossoms
180. Looking Up ・兼六園。 25 x 19 cm (10 x 8") photogravure etching, Cool black etching ink on Fabriano paper (2004); cherry tree in full blossom, Kenroku Park, Kanazawa, Japan
132. Le Pont Vieux. 25 x 19 cm (10 x 8") photogravure etching, Cool black & ochre etching inks on Ganpi colléd to Lana Gravure paper (2000); reflection of the past, an image softened but undimmed by time
178. Venetian Carnival. 15 x 13 cm (6 x 5") photogravure etching, Cool black etching ink on Magnani paper (2004); masks eerily glowing in the Grand Canal, Venice
250. Night & Day. 16 x 12 cm (6 x 5") photogravure etching, Carbon black etching ink on Fabriano Tiepolo paper (2009); Batalhia Cathedral, Portugal, pillars of woven rope designs
262. Vintage ・ 葡萄園。 24 x 14 cm (10 x 6") photogravure etching, Carbon Black etching ink on Fabriano Tiepolo paper (2009); Port wine vineyards, Douro Valley, Portugal
177. Waking the Gods. 13 x 19 cm (5 x 8") photogravure etching, Cool black etching ink on Kyokushi paper (2004); incense-enshrouded boy ringing the bell at Amano-hashidate, Japan
74. Her Reverie ・ 夢想。 27 x 21 cm (11 x 8") photogravure etching, Black etching ink on Ganpi tan paper (1996); spirited away, at a tunnel near the Kita-Kamakura rail station, Japan
111. Running ・ 走れ。 23 x 20 cm (9 x 8") photogravure etching, Orient blue etching ink on Lana Gravure paper (1998); free spirit on the beach at Shichirigahama, Kamakura, Japan, with surfers in the distance
14. Yukinoshita. 14 x 19 cm (6 x 8") photogravure etching, black etching ink on Kyokushi or Fabriano Tiepolo paper (1993); the Yukinoshita district of Kamakura is named for the flower, which means 'under the snow'
119. Oze Summer ・ 夏の尾瀬。 20 x 25 cm (8 x 10") photogravure etching, Carbon Black etching ink on Fabriano Tiepolo paper (1998); watasuge flowers in Ozegahara
* Viscosity printing, invented by Stanley W Hayter at Atelier 17 in Paris, enables printing one intaglio plate with two inks at the same time. In First Blush, black ink is in the recesses of the copperplate, Laque de Garance on the surface.
Series: Temples・寺; Dreamscapes・夢; Seascapes・海; Furusato ・ ふるさと; Pathways・道; Mongolia・ﾓﾝｺﾞﾙ; Acts & Scenes・町; Unseen ・ 見残す; New Prints・新;
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